William Fitzsimmons is equal parts songwriter and psychotherapist, creating captivating music, which uniquely melds depravity, honesty, and autobiography into a counter-intuitive seamless whole. Since 2005, Fitzsimmons has created three full-length albums, each thoroughly themed and embossed with matters of family history, intimate disclosure, and bold confession, yielding rich folk music, ranging from the stark and acoustic to the voluminous and electronic. All the while reflecting William’s commitment to addressing what is always pressing, and yet all too often ignored.
Fitzsimmons’ path into music came at the influence and education of his parents, both of whom filled his childhood home with a myriad of instruments, sing-a-longs, and theoretical instruction. However, far from being a mere pastime in the Fitzsimmons’ household, music was a communicative necessity between William and his parents, both of whom being blind, relied on the language of music to bridge the relational gap between themselves and a child who experienced the world entirely differently from them.
Fitzsimmons’ new release, Gold In The Shadow, is a musical reflection of the personal resuscitation and psychological renovation, which took place in the years following his divorce. Gold In The Shadow represents a welcomed musical departure, not from authenticity in writing, but in the field of focus. It is a return to his pre-music therapeutic passions, but with one eye now fixated on actual and optimistic change. It is ripe with personal elements, but also represents his first foray into external perspective taking; examining the lives and psychological struggles of those around him in addition to his own. It is an acknowledgment of the shadow self and the Todestrieb (Freud’s “death instinct”); but, even still and more so, an acceptance of hope.