Everything Everything Tickets

Everything Everything are noted for an extremely eclectic and dynamic style, with complex song construction and dense, detailed lyrics sung in falsetto by Jonathan Higgs. While nominally an alternative rock band with outright pop stylings, the band uses production and rhythmic approaches closer to those of contemporary R&B, glitch pop and electronica (including heavy use of laptop programming and processing) and songwriting approaches similar to those of progressive or psychedelic rock. Critic Paul Lester has compared Everything Everything's sound to "a riot in a melody factory" and compared them to "Timbaland if he cocked an oblique ear to Yes". In the Guardian, Mark Beaumont described the band as "the most intricate, streamlined merging yet of math rock's arch complexities, electronica's 80s obsession and hooks made from mobile phone interference."