As Elderbrook, Alexander Kotz makes minimalist, song-based electronica with tender vocals and ambient beats. Heard it all before? Not quite. There's a richness of texture to the tracks on his new EP Travel Slow that he says he owes to naïve experiments with everything from morning coffee to reading glasses, and catchy torch ballads lurk within the low-key melodies of tracks like Good Enough. But if Rudimental and Kidnap Kid's labelmate had to put his finger on it, Elderbrook's hallmark is that he likes a bit of bounce: "A kick and a snare and a funky bass," he says. "I like this EP because it has just the right levels of bounce. The bounce just appears, and you've got to roll with it…"