We’re delighted to be working with Robert Ellis for the first time!
With its contemplative storytelling and meandering, Paul Simon-meets-George Jones melodies, Robert Ellis’ breakthrough 2014 record, The Lights From The Chemical Plant, positioned the Houston-bred singer at the very forefront of Americana’s vanguard. Two years later, Robert Ellis, at just 27 years-old, is back with his self-titled fourth album, his finest work to date.
Most impressive are the leaps and risks Ellis, who self-produced the record, takes as he expands the typical country-folk palette with elaborate arrangements featuring MIDI keyboards, string sections, ambient noise, and synths. Aided by jazz-influenced guitarist Kelly Doyle, Ellis’ musical vision for country music in 2016 is just as boldly left-of-centre as fellow new traditionalist Sturgill Simpson’s.
Robert Ellis’ self-titled album is the sound of a young songwriter solidifying his blend of East Nashville country with whatever sounds, styles, and sentiments that suit his interests. Or, as he puts it: ‘How can you call it art when you’re sticking to a dotted line?’
